Home » Hollywood's History of Faking It | The Evolution of Greenscreen Compositing technology effect green screen

Hollywood's History of Faking It | The Evolution of Greenscreen Compositing technology effect green screen

by fordvinhPOIUY



Patreon에서 우리를 지원하는 것을 고려하십시오. 소스 및 보너스 자료가 포함된 Greenscreen의 역사에 대한 전체 Filmmaker IQ 과정을 이수하십시오. 이동 매트(현재 크로마키라고 함)의 역사 내부로 이동하고 현대에 이르기까지 초기 영화 제작자. 추가 질문이 있는 경우 Filmmaker IQ의 질문 페이지를 확인하십시오. .

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Hollywood's History of Faking It | The Evolution of Greenscreen Compositing

Hollywood's History of Faking It | The Evolution of Greenscreen Compositing

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Hollywood's History of Faking It | The Evolution of Greenscreen Compositing
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온라인으로 돈을 버는 모든 최신 방법 보기: 여기에서 더 보기
온라인으로 돈을 버는 모든 최신 방법 보기: 여기에서 더 보기

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47 comments

Nini Um Pequeno Gamer 15/10/2021 - 5:19 PM

Man, it wasn't even 20th century when that film came out. Imagine how many people got their minds blown by seeing a man just get his head off as if it was a Lego piece right in front of a camera

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Bryan Michael 15/10/2021 - 5:19 PM

Thumbs up! I love Filmmaker IQ. from the author of FILMMAKING FOR DUMMIES.

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Bart de Boisblanc 15/10/2021 - 5:19 PM

Question was that sodium vapor camera system the same one used by George Lucas in the 1970's to shot Star Wars (A new hope)?

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Raju Dave 15/10/2021 - 5:19 PM

Very good presentation and thanks for such a information 🙏🙏🙏

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Wayne Shannon 15/10/2021 - 5:19 PM

I think it’s fair to say that most people who complain about the reliance on CGI in modern films are talking about how it has replaced practical special effects and in-camera effects. I’ve never heard anyone complain about improvements in keying, quite the opposite.

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Tre Jackson 15/10/2021 - 5:19 PM

You really broke that down bro 😳

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Fab Palladino 15/10/2021 - 5:19 PM

great great!!! Thanks for your enthusiastic appearance!!!

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wavion2 15/10/2021 - 5:19 PM

It's also worth noting that pretty much any wide release film today that uses green/blue screen just uses that as a starting point. They also create frame-by-frame rotoscoped mattes to achieve those perfect cutouts. An automatic chroma key might be good enough for the weatherman, but not for features.

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TungstenCarbideTmpr. 15/10/2021 - 5:19 PM

Green and blue were chosen become its the opposite color ( on color wheel)of skin, thus its easier to edit, due to that difference. Anyone who worked with chroma keying, knows that colors that are close to subject’s color, get affected a lot more then the colors that are opposite on color wheel.

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Pierson Fodé 15/10/2021 - 5:19 PM

I see the YouTube algorithm has brought us together. The video is a perfect history. Which one shall we watch next

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LemKuuja 15/10/2021 - 5:19 PM

Fantastic vid, thank you ❤

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unknown 15/10/2021 - 5:19 PM

Thumbnail king Kong 😄😄

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Sharad Shirali 15/10/2021 - 5:19 PM

Amazing video…. so informative and never a dull moment.

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Mudkip909 15/10/2021 - 5:19 PM

Faking It: The obviously dubbed telephone ring

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Alister Carmichael 15/10/2021 - 5:19 PM

I remember the shift from blue to green as well as wondering how film was overlayed for FX. The same explanation would also lead to the use of component video I suspect?
Very watchable. Great work.

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Steven Clark 15/10/2021 - 5:19 PM

We're 5 minutes in and already you've answered about a million questions in an informative non-patronizing way.

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MSMediaRotterdam 15/10/2021 - 5:19 PM

Although I'm writing this about 14 years after the release of this video: in this one you are so relaxed in your presentation. I like it that way! Thanks for making/sharing.

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krokelhead 15/10/2021 - 5:19 PM

I learned in 17 min what I learned in 6 months in film school.

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Underground Raiload TV show in Chicago 15/10/2021 - 5:19 PM

Thanks from Chicago

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Larry Royovitz 15/10/2021 - 5:19 PM

I've come back to re-watch many of your videos, John, and I just have to say, you're a master. Why you aren't hosting a multi million dollar docu series, is beyond me.

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DigNap15 15/10/2021 - 5:19 PM

Wow, you really did a lot of work for this video.
Very interesting. thanks a lot

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Snobdude a.k.a Bubu Frutzke 15/10/2021 - 5:19 PM

John Hess is the best tutor on film around the web.

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Matt James 15/10/2021 - 5:19 PM

Loved the ending. So true about using what's at our fingertips to create something, instead of restricting our filmmaking. That's why I have huge respect for the digital effects teams that work on MCU films.

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Michael M 15/10/2021 - 5:19 PM

Awesome video

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Fall animation 15/10/2021 - 5:19 PM

Hi filmaker iq can I ask a question.how the foreground with black background and the back ground with black separating foreground are composited. Does filming in a film camera makes the black in travel matte transparent during the final filming. Can you please answer.

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Steven Robinson 15/10/2021 - 5:19 PM

Travelling mattes, Sodium vapour, technicolour. Interesting history.

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Dima Sol 15/10/2021 - 5:19 PM

Your channel is wonderful, mate!!!!

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Boomer Murrhee 15/10/2021 - 5:19 PM

I have a question, if inappropriate for this space I'll understand. I'm shooting a short in Florida, and I need snow? Any suggestions?

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Jina vacana 15/10/2021 - 5:19 PM

Learned many, thanks to you sir!!!

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Satish Pandurangan 15/10/2021 - 5:19 PM

How about a similar one on Virtual in camera effects , today’s latest technology

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Satish Pandurangan 15/10/2021 - 5:19 PM

Very well compiled , in short explained the history of vfx in a clear and precise manner , awesome !

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Boba Fett 15/10/2021 - 5:19 PM

Hello John/Filmaker IQ Crew,

My final year in school is starting soon and I have to write a 10 page assignment, or else I'm not allowed to do the final tests here in Germany. The topic of my assignment is exactly how Blue Screen Compositing was done earlier in history and I want to say I am really really thankful for this video, it helped me more than anything else! It's an interesting topic but complicated sometimes.
I still have some problems with understanding some things like what you told from 13:19 on. But I hope I can figure it out in time. What may help me are sources.
Where did you get all this information from? I'd be really grateful if you could tell me where to look if you still know it.

I hope you see this,
Boba

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Uber Wolf 15/10/2021 - 5:19 PM

No

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bound2thefloor 15/10/2021 - 5:19 PM

I would so take a film class, if John was the teacher!

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Malcolm Brenner 15/10/2021 - 5:19 PM

I got my start as a film maker watching George Meliés' "Voyage a la Lune" with my father in the Nickelodeon Theater at the Franklin Institute in Philadelphia. Later I graduated to "King Kong" on my grandmother's B&W TV, marveling at how the ape moved! I tried to become a special effects photographer, blowing up Mt. St. Helens' in a 250-gallon fish tank, but the shot came in too late, which is the story of my life. Here's to the masters of matte photography and special effects, the men and women who made me hallucinate long before I ever took LSD or 'shrooms!

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Daniel W. 15/10/2021 - 5:19 PM

Did i get it right? Petros Vlahos invented the Sodium Vapor Process in the late 50s, so in 1957-59. The first film using that technique was in 1961. But Ben Hur was released in 1959. So it must have shot in 1957-1958 or even earlier. So the color difference matte technique must have been invented before the sodium vapor process? I dont understand that part of the video and i need to understand ist for writing my bachelor thesis. So was it invented and not used until 1961?

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mixolydian mode 15/10/2021 - 5:19 PM

6:55 How did they manage to create those layers, i mean the police man and others in the front and the invisible man in the background? I don't understand how?

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Fabio Bollinger 15/10/2021 - 5:19 PM

In the traveling mattes, do the matted tapes just roll in front of the final tapes? We went from glass in front of the camera with fixed mattes, to… ? What do you do with the silhouetted traveling mattes? What does one tape that's all white in the silhouette actually do?

Does each frame get printed on glass, then the shots are projected and re-filmed?

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John Ericsson 15/10/2021 - 5:19 PM

Captain D has been here!

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Mohamed Ghali 15/10/2021 - 5:19 PM

Thank you so much .

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Kian Nikoobakht 15/10/2021 - 5:19 PM

Thanks .. best description for this theory……..regards

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Shameer VH 15/10/2021 - 5:19 PM

interesting channel

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Michael Chapman 15/10/2021 - 5:19 PM

During the 1940's 50's into early 60's my grandparents lived 3 blocks south of Paramount on N Bronson Ave & it was a fun & historically rich neighborhood to live, walk around & socialize- my grandfather managed the Hollywood Post Office on Cherokee Ave & came to know some of the people who worked in the industry like actress, Helen Hayes who was a periodic dinner guest at their Bronson Ave home-Their son, my dad went to Joseph Le Conte Middle School on Bronson Ave where Carol Burnett attended some yrs after my dad- Desilu Studios was a stone's throw from Paramount which use to be RKO & KHJ Radio & Television were right in the mix at 5115 Melrose Ave of which Capital Records shared that bldg. as well & was called 'Capital Melrose' where Sinatra & Nelson Riddle & Billy May & Nat Cole etc.. were turning out Some fine records…. 'until Capital Records relocated to their newly completed 13 Story Capital Records Tower on N Vine St. in April of 56 which I recall going up layer by layer 'Nickodell's Melrose was a fascinating restaurant just a few yards south of Paramount's Bronson Ave Gate riddled with history.

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Dawn GW 15/10/2021 - 5:19 PM

this is very well done!

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Hercules Lima 15/10/2021 - 5:19 PM

Fantástico! Fascinante! Era o que eu precisava para produção de meu novo filme …. 'Superescalares" onde dois irmãos recebem poderes que controlam as forças da Natureza!! Maiores detalhes no email hlimservices@gmail.com ou whatsapp +55-27 996123729.
Fantastic! Fascinating! It was what I needed for the production of my new film …. 'Superscalares' where two brothers receive Powers that control the forces of Nature !! More details at hlimservices@gmail.com or whatsapp + 55-27 996123729

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Guez TV Studios 15/10/2021 - 5:19 PM

wow, thank you

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Show Cat 15/10/2021 - 5:19 PM

You are too close to the camera! Back up!

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